After 1645 months in quarantine I was elated to get out and paint last week. I have craved big painting projects in lockdown. Sculptures and murals, I love them! Working on a big scale is an unparalleled creative experience. I feel expressive and a bit naughty like I am a kid drawing on a wall at home. Blooming love it though! I have been gurning to do some big painting for months. Finding out I was a successful artists for the trail during lockdown was a huge win for me. The promise of a painting project coming up was brilliant.
I am going to dedicate a future blog post entirely to this subject. Packing for painting off site is a tough thing to get totally right. Feeling a little rusty from not being able to leave the house, this took some extra thought this time. Paints, brushes, sarnies and podcasts sorted, I was ready!
We are painting in a super secret painting space. The staff at the Children’s Hospital have done a brilliant job of keeping us socially distanced and safe. It means that there are sadly less artists together at a time, but painting alongside even just a couple of people has been totally refreshing after life in quarantine. First impression is that these bears are HUGE! I think 7 ft tall? They even have a base to paint which I wasn’t expecting. I got a start on sanding and printing and accepting that my next few weeks will be a lot of time up and down ladders!
Getting the design right was the main theme of today. Translating a 2D design to a huge 3D an as is difficult. Not just in terms of scale but in following the sculpture shape. It took a while to work out where the components of the design were best to sit. You can never been too prescriptive in translating a flat design onto a shaped canvas. Things will need to move and change to suit the curves of the piece. The most challenging part as the bear’s head. A very flat picture is an elongated and complex shape in reality. Getting the flow of the piece right was a big focus of the day.
I took me until the third day to get my first layer of paint down fully. I started this on day 1. On such a huge sculpture it is such a big job! Trying to get as much paint down as possible and lock in the whole design was the flavour of the day. By the end of the third day I had just started on my second layers of colour in an attempt to flatten the design and make the colours bolder.
I have another three days booked in to paint next week. This is the first time I have had such a break halfway through painting. I needed it! Months in lockdown means I need a bit of warm up time. Painting big is a really physical job. It also means I have an extra few days to get excited before going back to hopefully finish the piece. Wish me luck!